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AUTOTUNE4

Auto-Tune: A Short History

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As if we were touched by a musical angel overnight, the original vocals for Britney Spears’ demo track ‘Alien’, from her 2013 album Britney Jean, were leaked to the cyber world. Here we find her stripped naked (metaphorically I would hope), and left without the trusty safety blanket of Auto-Tune.

Let’s just say it was not her finest effort, and to celebrate this momentous occasion we have decided to take a short trip down memory lane and visit some our favourite moments in pitch correction music’s history.

Auto-Tune; This is your life….. 

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The Humble Beginnings

Cher ‘Believe’ (1998)

Cher’s late-nineties comeback to music and the worldwide gay community was marked with the release of her, warped, robotic vocal effect single ‘Believe’. At this time, no one had seriously considered the use of Antares’ Auto-Tune pitch correction software as a recording “special effect,” however Cher says that when she heard the sound she demanded it be left in the recording. Good life decision Cher. While this track was incredibly successful it was also polarising as it represented the ‘sound of the future,’ or, as some may call it, the “Cher effect.”

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The Millennium

Daft Punk ‘One More Time’ (2000)

Who better to ring in the new millennium than French helmeted-duo Daft Punk, with their Auto-Tune anthem ‘One More Time’. After already using vocorder-distored vocals in their timeless hit ‘Around the World’ they turned to the blessed Auto-Tune with the addition of singer Ramanthony. Despite being met with some harsh criticism as to their use of technology, ‘One More Time’ peaked at number two on the UK Singles Chart in 2000, and is one of the duo’s few charting songs in the US, reaching 61 on the Billboard Hot 100 – likening the criticisms to those levelled in the early days of synthesisers in pop music. 

Synths, pfffft. Who uses them in the music industry now?

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The Serial Offender

Kanye West ‘808s and Heartbreak’ (2008)

Some artists do it with a song, others make an album of it. Kanye West is a serial Auto-Tuner. His 2008 album release, 808s and Heartbreak, has stylised voice manipulation plastered all over it. In classic Kanye style he used it without a reason or excuse, with tracks like ‘Heartless’ and ‘Love Lock down’ repping Auto-Tune like there is no tomorrow. Instead of leaning on the vocal manipulator as a crutch for some of his arguably shaky singing, Kanye harnesses technology as an instrument and if you hate it – he doesn’t care. He is Kanye West and he’s the best.

CLICK HERE to see Kanye’s latest Auto-Tuned rant at Wireless Festival!

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The Good 

Bon Iver ‘Woods’ (2008)

It may no means requires a high level of production for indie icon and Auto-Tune enthusiast Bon Iver to create a beautiful atmospheric song, rich crafty pitch shifting goodness. All Justin Vernon’s fine voice needs is to be run through a phase-vocoder and repeat the same paragraph of lyrics 11 times, before concluding with a final momentous built up tension. For indie noobs, this song is most commonly known as the  sample in Kanye “Serial Auto-Tuner” West’s track ‘Lost in the World.’

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The Bad

Rebecca Black ‘Friday’ (2011)

I am speechless. No words can be used to describe this piece of utter lyrical genius.

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The One You Have Been Waiting For

Britney Spears ‘Alien’ Demo (2013)

It’s Britney Bitch.

What was allegedly said to be a 2013 warm-up tape of the Las Vegas Starlet in Residence, this very raw demo leaves us all feeling that little bit better about our own karaoke voices.

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And of course…The Virals

One Direction ‘Story of My Life’ (2014)

For those who do not call themselves One Direction fans *cue crying, screaming girls, fainting and a like*, be prepared to instantly fall in love with the superstar heartthrobs. The concept is quite simple, Shred Videos. Videos which craftily remove the audio of some of the world’s biggest music acts and replace them with a ridiculous, yet convincing, auto-tuned version of their song. The end result is a hilariously butchered piece of viral brilliance. You’re welcome:

 

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Jungle drop music video for ‘Time’

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Masters of mystery, Jungle, have released the music video for Time. Once again, they’ve opted to not feature themselves and have instead taken the Fatboy Slim Weapon of Choice route of assigning the duty of dancing to middle-aged men. Adidas-clad and showing that age is nothing but a number, the two men engage in the dance-off to end all dance-offs, Bucket List-style .

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Lunice returns with ‘Can’t Wait To’

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We last heard Montreal producer, Lunice as one-half of TNGHT, a trap-duo formed with Hudson Mohawke. Fresh from smashing speakers around the country, Lunice is going it alone once again with a new single and an album on the way. That single is Can’t Wait To and it’s a skittering, brain-fuck of a track with deep, recurring vocals samples and eery synths. It’s certianly not as in-your-face as TNGHT but like any Lunice production it demands your immediate attention. The song was teased a few days ago in a 30 second video but the full version has now been unveiled. It’s suspected to be the first single from his forthcoming debut album.

[soundcloud]https://soundcloud.com/tnght/lunice-cantwait[/soundcloud]

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Vancington Remixes Shy Girls’ ‘Second Heartbeat’

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Shy Girls‘ track, Second Heartbeat, made waves nine months ago when it first hit our ears. Now it’s back; re-worked by Vancington and still just as pleasing to the ears. Vancington’s offering provides lush synths and a grooving backbeat which accompany the already super-smooth R&B vibe from the original. Glistening chimes and scattered vocals are peppered towards the end of the track, providing a break from the steady beat and giving this remix a distinct, funky flavour.

[soundcloud]https://soundcloud.com/vancington/shy-girls-second-heartbeat-vancington-remix[/soundcloud]

 

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6 Music Acts That Disappeared

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Sometimes, when an artist is at the peak of their career and you have decided they are your current favourite band, they up and disappear, without so much of a musical trace. Was it fame-related cold feet? Or simply time to move on? Read below for 6 music acts that were on the airwaves non-stop, before being sucked into the black hole, with some never to be heard from again.

Missing Persons: Fleet Foxes

You probably remember American indie folk band Fleet Foxes from their 2008 hit Mykonos or the 2011 Triple J-rotational, Lorelai.

With their second EP, Sun Giant, and first and second albums, Fleet Foxes and Helplessness Blues respectively, all receiving critical acclaim, their future looked bright but, alas, it seems as though their success was fleeting (pardon the pun).

In January 2012, drummer J Tillman announced that he had left the band. That didn’t stop speculations of a third album, with the remainder of Fleet Foxes stirring the pot by posting on their Facebook page in June 2013  an image of a laptop, microphone and guitar, titled “Step one”, followed by an image of a broken mandolin, titled “Step two”. The dream was crushed however with the deletion of both posts and lead singer, Robin Pecknold, declaring that the band was splitting for the time being and he was relocating to New York City to study.

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Missing Persons: Parachute Youth

[soundcloud]https://soundcloud.com/parachuteyouth/sets/parachute-youth-main[/soundcloud]

Remember that Summer tune to end all Summer tunes in 2012? It seemed as though big things were in store for the Australian duo, described as “one of the hottest prospects in Aussie electronic music”, with appearances at Splendour in the Grass and Homebake and Can’t Get Better Than This amassing almost 6 million hits on YouTube.

It seems as though things didn’t get better than that for friends Johnny Castro and Mathew K Von, with the band splitting up promptly after the release of their January ‘14 track Runaway. Reliable sources have told me that Castro has now signed to Atlantic Records / Warner Music under the moniker of Yeah Boy, with an EP Can’t Get Enough coming out in May. And his other half? Through my finest detective work to date, I have discovered that on July 6th of this year, Von updated his Facebook profile picture. Thrilling stuff.

Meanwhile, fans of the now extinct band are holding on, still trying to figure out the vocal hook in Can’t Get Better Than This.

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Missing Persons: Kisschasy

Remember when Australian rock band Kisschasy told us that Opinions Won’t Keep You Warm At Night? 

Over their 10 year career, the band released two gold certified studio albums, two extended plays, a documentary DVD and compilation album, while also selling an excess of 90,000 records.

In 2009, Kisschasy took their new album, Seizures, on tour around Australia, coinciding with their Channel V Oz Artist of the Year win. They were then announced as part of the first lineup for the 2010 Big Day Out, also performing at Southbound, MS Fest, Pushover and 2010 Groovin’ The Moo. So where are they now? 

Their location is still unconfirmed but ever-reliable source, Wikipedia, has quoted:

“Despite not having released a fourth masterpiece in almost five years, Kisschasy are not dead and do occasionally tour. Many have speculated that rather than touring, the band needs to get their asses in the studio and crank out some new tunes.”

Missing Person: Daniel Merriweather

Many of you will remember Australian R&B recording artist Daniel Merriweather from his 2007 collaboration with Mark Ronson, for the cover of The Smiths‘ Stop Me.

After winning numerous awards, performing with the likes of Mark Ronson, Scribe, P-Money and Kanye West, and also appearing on David Letterman in 2010, it seemed that the Stop Me singer was unstoppable. But then he mysteriously disappeared, with his Soundcloud page not showing a trace until 2013, with the update of the news of collaborations with both The Bamboos and Wordlife.

[soundcloud]https://soundcloud.com/word-life/daniel-merriweather-x-wordlife[/soundcloud]

There have been no musical follow-ups since but a reliable source (AKA Twitter) has led me to believe that, unlike aforementioned Kisschasy, Merriweather has since gotten his ‘ass into the studio’ to ‘crank out some new tunes’.

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He’d better get to releasing soon because his fans are getting antsy. “#justsayin”

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Missing Persons: Black Kids

American indie rock band Black Kids had us jumping around on the dancefloor with their two hits Hurricane Jane and I’m Not Gonna Teach Your Boyfriend How To Dance With You.  With their debut EP, Wizard of Ahhhs, receiving critical acclaim in 2007 and their album, Partie Traumatic, debuting at #5 on the UK Albums Chart in July 2008, the Kids’ futures looked bright. But, alas, they too fell into the black hole of musicians.

[soundcloud]https://soundcloud.com/songday/black-kids-im-not-gonna-teach[/soundcloud]

 

Was it perhaps the ‘new rules’ enforced on the music industry that caused such a sudden disappearance?

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Sources have confirmed that the cause of disappearance was something much less news-worthy, with the reason being that the Kids have simply grown up, focusing on other creative avenues and abiding by the laws of nature.

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Amidst procreating and not being dead, Black Kids started recording again in early 2013 with new songs Clocks and Wake Up, touring Brazil and the East Coast of the United States, and, according to their Facebook, are about to commence another tour in a month’s time.

Missing Persons: Operator Please

Operator Please, the first band to discuss such a deep topic as the act of Ping Pong, were formed way back in 2005 to enter their school’s Battle of the Bands. After winning the competition, the pop group went on to release the singles, Get What You Want, Leave It Alone, Just a Song About Ping Pong and their debut studio album, Yes Yes Vindictive. 

After winning an ARIA Award in 2007 for Breakthough Artist, the five-piece went on several national tours and played at a variety of festivals, including Splendour in the Grass, Stonefest and Big Day Out. In January 2011, Operator Please released their fifth and final single from their second album, Gloves, with the last appearance from the band being their tour with Sparkadia. 

The band never officially split, but friends close to the source have informed that they’ve been inactive since 2011, with the band members focusing on separate projects.

Keyboardist, Chris Holland, and drummer, Tim Commandeur, formed the duo group Colour Coding and released their debut Proof in March 2012, before suffering the same fate as their original band and declaring a hiatus in November 2013. Commandeur is now the drummer for Sydney electronic band, Panama. 

Lead singer, Amandah Wilkinson  is still performing, and looking remarkably different, under the moniker of Bossy Love. She released her debut EP, Me + You (not to be confused with Disclosure’s You & Me) in October 2013.

Which other music acts have disappeared without a trace? Tweet me at @bianca_interns and I’ll do some detective work for you. 

 

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Hear Angus & Julia Stone’s ‘A Heartbreak’

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The heart seems to be a consistent motif for Angus & Julia Stone‘s forthcoming self-titled record. They have just dropped a new song, A Heartbreak with an accompanying video following on from last month’s Heart Beats Slow. A Heartbeat was the first song the pair wrote with the producer of the record, Rick Rubin, and it’s a dark, folk-tinged number that beautifully juxtaposes the sibling’s voices. The video is suitably dark also and was filmed in LA under a flood of multi-coloured lights. The album is out 1 August following the pair’s performance at Splendour in the Grass, the week before.

Watch the video here.

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Allday on R&B, women & vegan hot dogs

AlldayAllday (AKA Tom Gaynor) is the most hyped name in Australian hip-hop right now although it’s not Aussie hip-hop as you’ve heard it. On hearing Allday’s debut album, Startup Cult, it becomes clearly apparent that the young Melbourne emcee is inspired by rappers like Future, Drake and Yeezy rather than homegrown acts. As such he’s ushering in a new-age of Australian hip-hop; one based on youthful lyrics, northern-hemisphere beats and a ‘cult’ that has quickly formed around him. As a young artist, Allday has become somewhat of a master at social media. He’s amassed almost 100,000 likes on Facebook and 62,000 followers on Instagram. In celebration of his new album Startup Cult, he took a number of his fans on bus rides around Melbourne and Sydney to listen and chat about the new album.

Allday answered a few questions for the interns about what inspired the bus idea, his favourite R&B tracks at the moment and whether he would win a hot dog eating competition.

What inspired the “Startup Cult” bus idea?

At the moment with all the people messaging me it’s very difficult to reply to every fan so I thought if the quantity of fan interaction is decreasing, let’s improve the quality. At first I wanted to drive around with people 1 on 1 and play them the album but we settled on the idea of a bus. Next time I’m thinking a “booze cruise” around the harbour.

It sounds to us like your music sounds slightly more like American hip-hop than Aussie. Would you agree?

I think the line between Australian and American sounds is that Australian Hip Hop has branched off from 90s boom bap and developed in a certain way. I love and appreciate a great deal of Australian Hip Hop but my musical influence isn’t really rooted in Australian artists. I think it’s very cool Australia has its own sound, but I don’t really consider myself a part of that (beyond the accent).

You’ve built up an impressive following without having an album out yet. How important is social media in that?

Social media has been the foundation of everything for me so far. If Instagram and Facebook were to close down tomorrow I have no idea what I’d do. On the other hand, sometimes people overthink social media, I just try to be myself and I think people can sense honesty.

What have you done differently from the mixtape to the album? Do you think the album sounds more cohesive?

Well the album took a lot longer. I thought about what I wanted to communicate and how. Whereas on the mixtapes I would usually just find a beat or whatever and write a rap in 5 or 10 minutes. Then record it in 15 or 20 minutes and that would be a song. For instance, some songs like Sick Sad World or Julia Stiles (mixtape songs) would have about 30 minutes total work in them. When they got to 100,000 views or whatever I realized “wow, I would have done a better job if I knew this many people would listen to it.” So on the album, I tried to do a better job.

Is Right Now a good indication of what is to come on the album or are there some curve balls?

I think there’s some curve balls.

How is the tour going? Is the crowd reacting to the new songs well?

The tour just finished up, the new songs weren’t going amazingly actually but that always seems to happen with me. Maybe I need a bit of practise to perform them or something.

Name your five favourite hip-hop/RnB songs at the minute.

Partynextdoor – TBH

[soundcloud]https://soundcloud.com/partyomo/partynextdoor-tbh[/soundcloud]

Sampha – Indecision

[soundcloud]https://soundcloud.com/samphamusic/indecision[/soundcloud]

The Weeknd – Often

[soundcloud]https://soundcloud.com/theweekndxo/the-weeknd-often[/soundcloud]

Jeremih – Fuck U All The Time

Justin Timberlake – Not A Bad Thing

^ Wow these are all RnB, guess I’m going through a phase at the moment.

wackyqs1. Would you be Jay Z, Beyonce or Solange in the elevator situation?

I don’t know their personal lives and I don’t want to weigh in on that really but I think I’d like to be Jay Z because I’m already a man and I don’t want to have to get used to a whole different set of genitalia.

2. Do you believe you could win a hot dog eating competition?

I’m a pretty fast eater. The fact that I’m a vegan really holds back my hot dog eating (for the rest of eternity). Vegan hot dogs though, I’m keen to race.

3. What’s your least favourite Instagram filter?

Wow, so many of them suck. Hefe.

4. Money has been left in the ATM. What do you do?

If I was 16, I’d take that money and be buying something terrible with it before you could say “lack of morals”. These days, I’d take it back into the bank and make sure the person got their money back.

5. What do you see in this inkblot?

That’s clearly a woman’s body right? Now I look like some sex-minded perve, damn.

inkblotAllday‘s debut LP Startup Cult is out now.

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Cyril Hahn remixes Jessie Ware’s ‘Tough Love’

jessicyrilIf you’re not a lover, slow-groover or sensual mover chances are you might’ve found Jessie Ware‘s new track Tough Love a little slow. Well Canadian producer Cyril Hahn has come to rescue the track for beat-cravers with his beautifully tailored remix of Tough Love. He keeps Ware’s heighty vocal intact, instead choosing to pump it along with a deep-house base-line and send it straight to the clubs. Jessie Ware and deep house music go together like Milk and Milo so it’s great to see Hahn give Tough Love the remix treatment. He’s already worked his magic on Ware once before with Sweet Talk so it should be no surprise that this one is brilliant once again.

[soundcloud]https://soundcloud.com/jessieware/tough-love-cyril-hahn-remix[/soundcloud]

Listen to Hahn’s remix of Sweet Talk here:

[soundcloud]https://soundcloud.com/jessieware/sweet-talk-cyril-hahn-rmx-sd[/soundcloud]

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First Impressions 7 July

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This week’s First Impressions has something for everyone. There’s EDM, pop, disco, electronica and soul. Unfortunately, sometimes when the best things in life come together it can be catastrophic. We’re unable to agree on anything this week, as Ariana Grande’s banging anthem fails to please and Bon Iver falls at the mercy of one recurring sound. Meanwhile Flume and Chet Faker’s 3481st song together impresses some and leaves a sour taste for others.

Ariana Grande Feat. Zedd- Break Free

Bianca: Ariana has reached Grande heights around the world and I just can’t understand why. Her voice grates me in a way that I can’t describe and the higher she goes, the lower my volume goes. Just as Zedd entered the building at the 3:17 mark and it sounded like the song was peaking to something a little more exciting, it promptly ended. Well, I wasn’t entirely wrong about the exciting bit. 1  

Hannah: In need of a drinking game? Shots, shot, shots, every time this song features in a marketing campaign over summer. Plot twist? You’ll spend summer drunk and it’ll be better than remembering hearing this song. 2

Sam: I feel like the whole EDM meets pop thing is such a tired formula. But, Zedd and Ariana just get this one so right and it comes down to two things. The first is Zedd has no ego in this. He forgoes huge drops in favour of stellar verses and never overwhelms with bass. The second is Ariana has a ridiculous voice and this is the first time we’ve heard it in full force. This could be the biggest selling song of the year. 3

Lizzie: I am just going to pretend that this wasn’t in First Impressions this week. I actually had to play this on the lowest volume in my room – I just couldn’t let my housemates catch me listening to this. 1.5

[soundcloud]https://soundcloud.com/canalselgomez/ariana-grande-break-free-ft-zedd-official[/soundcloud]

Nile Rodgers- Do What You Wanna Do

Bianca: Goddammit, I’m trying so hard not to dance to this song but my platform shoe-clad feet are thinking otherwise. Do what You Wanna Do is certainly a shameless little bit of fun. 2.5

Hannah: A decade in the making from the man himself, I kind of expected a little more. It’s got all the components of a ready-made disco sensation, electric guitar, catchy rhyming lyrics you can sing to slash guess at while succumbing to disco fever, a creepy voice over here and there, and when all else fails a whistle, but it just never really takes off? 2

Sam: So many warm fuzzies on this one. After five decades Nile Rodgers is still the king of disco. Yeah it’s a little corny but that synth-line puts the fattest smile on my face, so screw it. I can’t give this one a score. Rodgers is a legend, he’s paid his dues. As someone born in the ‘90s, it’s far beyond me to judge the king of disco.

Lizzie: Not my vibes at all. This feel like a dodgy karaoke song playing on a caribbean cruise ship. Please excuse me while I go jump ship. 1

Meg Mac- Roll Up Your Sleeves

Bianca: A lovely little Sunday School tune. Expect big things from Meg Mac. 3

Hannah: *Tactically side steps comparison to Adele.* It’s nice. 3 Hannah’s Pick 

Sam: Sometimes I feel like artists are trying to be so tricky nowadays that they’ve lost the art of writing a great tune. Roll Up Your Sleeves is a classic example of what can be achieved when you keep it simple. Mac sounds amazing and the song is optimistic and classy. 3.5

Lizzie: She has got these Nora Jones/Duffy soul vibes, but with a youthful kick. What a tune – I’m not usually a ballard gal, but this lady has got a gift. Bring on the next hit! 4

[soundcloud]https://soundcloud.com/megmacmusic/meg-mac-roll-up-your-sleeves[/soundcloud]

Chet Faker- Gold (Flume re-work)

Bianca: Seems a bit same-old same-old for me. It doesn’t seem as if Flume has evolved this song much from the original and feels less like a re-work and more of a repeat. 2

Hannah: 2zooey

Sam: Another Flume and Chet Faker track. It was something unique at first but now it’s become about as common as going to the bathroom. Flume adds a skittering aesthetic with pulsating bass while Chet croons away over the top. Am I excited? Nup. I just fell asleep and dribbled a little. 2

Lizzie: Flume has once again put his Midas Touch on an already golden track. Chet Faker, you make me weak at the knees. Every song he produces is engulfed with this infectious energy and emotion, and Gold is no different. You may even convert me to beards.  4 Lizzie’s Pick

[soundcloud]https://soundcloud.com/neighbors-hate-us-future/chet-faker-gold-flume-re-work[/soundcloud]

Basement Jaxx- Never Say Never

Bianca: Watching Bend It Like Beckham last night (I regret nothing) and hearing the soundtrack made me miss the old Basement Jaxx. In saying that, the piano chords and grooving synths are enough to get it onto my party playlist. Bianca’s Pick 

Hannah: Didn’t we already hear this one? 2

Sam: It’s a nice pleasant take on deep house. It sounds like Duke Dumont, Disclosure, Ben Pearce but it’s got no hint of Basement Jaxx’s identity in it. If I heard it in a club I’d love it I’m sure but right now just nothing sticks out to me. Blah. 2.5

Lizzie: Love love love the vocalist. There’s something very smooth about him. It’s definitely a step up from any of the other new tracks they have released this year, but would have loved for them to pushed the boundaries a little more. C’mon, surprise me. 3.5

[soundcloud]https://soundcloud.com/basement-jaxx/never-say-never[/soundcloud]

Bon Iver- Heavenly Father

Bianca: I feel I can’t properly score this song because it seems my speakers are broken. Oh wait, it’s meant to sound like that? All I can say is this song would certainly not be an ideal remedy to a hangover. Thankfully, I didn’t drink last night and can appreciate Vernon’s beautiful-as-ever song amongst the mess of repetitive lulls of noise. 2.5

Hannah: This week. Just go home new music, you’re drunk. This is exactly what happens when Bon Iver sings over your 6th grand band rehearsal. While I love Bon Iver with the deepest crevice of my heart, and in many respects the redeeming feature of this song is indeed Bon Iver himself and his undeniable voice, I can’t help but want more. It feels kind of… lazy. 2.5

Sam: Justin Vernon strikes something for me that no other songwriter at the moment does. He always writes with a hint of sadness yet induces this peering glimmer of sunshine.  As a fan, it’s great to hear another track from Bon Iver but also bittersweet knowing that another LP may be a while off. 4 Sam’s Pick

Lizzie:Is the tape recorder stuck? There seems to be a terrible whiney sound on repeat, destroying what could have been a beautiful Bon Iver track! My ears are still ringing. 2

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the interns’ Saturday Mix #2

saturdaymix2It’s that time again! That little bundle of joy that graces us every week, the weekend, has arrived once again. So you’ve already filled your music library with the myriad of tunes we gave you last week and you are in luck again; the second instalment of the interns’ Saturday Mix is here to be your musical wingman.

Slumber Session – David Douglas: Soundtrack to your weekend.

This week we enter the dream world of Dutch producer and video director, David Douglas. Every moment of this mix is utterly cinematic, providing the perfect backing soundtrack to your weekend. Hit 8 minutes and you are James Bond, ready to suave yourself around the town. Hit 16 minutes and you are cruising the streets as the sun sets and the wind is blowing in your hair. 30 minutes down, you are oozing sex, feeling Pulp Fiction-naughty. Have fun with this mix – play your favourite character for the night before the reality of Monday slaps you in the face.

[soundcloud]https://soundcloud.com/i-d-online-1/slumber-session-david-douglas[/soundcloud]

Discobelle Mix 044 – MSCL – Songs to ease you in

You had a big one last night, and now you have to back it up again. It’s ok, there are some ye olde faithfuls in here to ease you right back into party mode. Motez, Zeds Dead, Josh Butler & John Newman remixes are in the mix to set some solid foundations for another great night and to get your head-bopping. You can do it!

[soundcloud]https://soundcloud.com/mscls/mscls-summer-jams-discobelle-mix-044[/soundcloud]

Chrome Sparks – Fader Mix: Music to impress your new friends

Meeting a new crowd? Being that guy who is the plus-one to a party, and knows no one? Ok, breathe, we have got your back. Whack this baby on the iPod dock after midnight and prepare to start poking the crowd of new friends away with a stick. This, ladies and gentlemen, is how a Saturday mix should be done. “Thoughtful, beautiful and groovy,” as Chrome Sparks puts it. You will thank us later.

[soundcloud]https://soundcloud.com/fadermedia/fader-mix-chrome-sparks[/soundcloud]

SLAVA – Ciroc Mix4logo: R&B and Vodka. Enough said

Ciroc – sound familiar? It’s a vodka brand, and you should probably go drink some. Right now.  

This Russian-born New York club weirdo Slava, has created a mix which can only be described as “tracks which have been triple-distilled into a cool sound.” Once again, vodka – I feel there is a trend happening here. This mix is all about the chilled-out vibes, and the mutation of club styles  – the majority of which should be consumed in the home or the bedroom.With R&B favourites Aaliyah and Cassie and the fierce DJ Leo, Rizzla and False Witness, this will leave you drunk and suitably undressed.

[soundcloud]https://soundcloud.com/logomagazine/slava-ciroc-mix4logo[/soundcloud]

Kyphosis – Afterlife DnB- Lose your mind

Festival season in Europe has arrived and it is time to re-educate yourself on EDM. Or not – who cares, you are too drunk in the night to actually care what is blasting out of the speakers. Plus, you don’t want to miss the drop and pull the wrong dance move, or even pull a hamstring with your ill-timed rave movements. Young Sydney-based artist Kyphosis is here to give you a master-class on 3am underground club vibes. This epic education on Drum and Bass which will leave you pumping into the early hours of the morning.

[soundcloud]https://soundcloud.com/afterlife-drum/kyphosis-at-afterlife-dnb-sydney-28th-june-2014[/soundcloud]

©2017 THE INTERNS MUSIC, ALL RIGHTS RESERVED.