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GEoRGiA follows-up ‘Be Ache’ with ‘Digits’

Digits

We featured GEoRGiA‘s first track, Be Ache, on the interns back in June and have waited for a follow-up to the l0-fi wonder ever since. Today, as if by magic, another one has appeared titled, Digits. Where Be Ache was a manic collision of sounds, Digits is a far more demure, streamlined affair. The beat still packs a punch but you really get to hear GEoRGiA’s sweet and sour vocals here alongside a mellow synth-line. It’s a definite nod to RnB but there is also an industrial rawness to it not unlike Kanye West‘s Yeezus. Digits has a progressed feel for melody than Be Ache and is likely to work it’s way into the playlists of more listeners. One of 2014’s names to watch.

[soundcloud]https://soundcloud.com/georgia_hb/digits[/soundcloud]

5ARTISTS_4June2

5 artists you need to hear right now Vol.3

5ARTISTS_4June

Welcome to the third instalment of our new artists feature. This week we’re dishing up an eclectic bunch that range from industrial hip-hop, to pop perfection, to a youngster tipped to take on Lorde. 

LANY

There’s no easier thing in the world to sink your teeth into than a perfect pop song. Hot Lights by Nashville group LANY is that. It would be my pleasure to tell you more about LANY but at this stage there is very little to tell. They have two songs to their name (Hot Lights and Walk Away) which are both a month old and built upon a base of simmering beats with an occasional burst of brass. They are expected to release an EP in June and it will probably be delicious like their previous electro-tinged gems. That is all.

[soundcloud]https://soundcloud.com/thisislany[/soundcloud]

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Childhood

British-duo Childhood have been around the traps for a while now, but they’re too good to let slip by if you haven’t heard of them already. Childhood is Leo Dobson and Ben Romans-Hopcraft and together they will release their debut album Lacuna in August. There’s a healthy buzz surrounding them due to their effortlessly washed-out yet melodic sound. This sound so often has the ability to sound tiresome but Childhood induce plenty of fun. NME recently caught up with them in the studio where at 10am they had the room filled with smoke and lasers to make it seem like they were “playing a gig”. The album has been produced by Dan Carey who’s worked with Hot Chip and Bat for Lashes and will feature the tracks Solemn Skies and Falls Away.

[soundcloud]https://soundcloud.com/childhoodmusic/falls-away[/soundcloud]

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GEoRGiA

It’s a less travelled trajectory the road from drummer to lead-singer but it’s worked for Dave Grohl and now London-based percussionist Georgia Barnes is trying her luck. She’s drummed for artists like Kwes, Juce and Kate Tempest, however, on her own she’s unleashed a totally different sound. Her debut track, Be Ache, is forwardly-driven by artillery-like percussion. It’s aggressive, bold and highly-unlikely to send you to sleep. Be Ache is taking off her forthcoming EP Come In which will be released by label Kaya Kaya (co-founded by Cherish of Juce).

[soundcloud]https://soundcloud.com/georgia_hb/be-ache[/soundcloud]

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Thomston

18 year-old Thomas Stoneman is about to put New Zealand on the map once more. The young singer is garnering some serious attention with his dark, minimalist pop tunes. He’s drawing some comparisons to Lorde, however, he’s not too happy about that. He told Daily Discovery “I haven’t got Grammys so I’m like the lame, non-famous, less cool, and not critically acclaimed version of her.” His latest track, Anaesthetic, will no doubt prove his worth away from Lorde comparisons. It’s a sparse track with deep, haunting undertones that proves he is far beyond his years. It follows his School Night EP and already you can tell he’s grown a lot.

[soundcloud]https://soundcloud.com/thomston/anaesthetic[/soundcloud]

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clipping.

clipping. is a Los Angeles rap-trio making fierce, industrial hip-hop music. Their debut album, CLPPNG, is currently streaming on NPR and it’s part Yeezus, part early-Outkast and a whole lot of clipping. experimentalism. MC Daveed Diggs handles the raps while the soundscapes are laid down by Jonathan Snipes and William Hutson. Beginning with an acapella rap intro, the album continues with sporadic and minimalist beats leaving it up to Diggs to bring a spitting ferocity to the music. It’s certainly not an easy listen, but it’s most definitely a rewarding one.

[soundcloud]https://soundcloud.com/subpop/clipping-body-and-blood[/soundcloud]

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